Seth MacFarlane’sStar Trek-inspired show,The Orville, debuts on Fox this Sunday, and early reviews for the first three episodes are out. While the show wasmarketed as aStar Trekspoof, suggesting the possibility of something that might be (if MacFarlane could avoid his usual sexism/racism/homophobia) enjoyablyGalaxy Quest-esque, it turns out it’s tonally much weirder than that.
The show strangely combines MacFarlane’s glib humor with attempts at an earnest, optimistic sci-fi show – and that, perhaps unsurprisingly, doesn’t seem to work.
“It’s the sort of show that might sound sustainable as a half-hour comedy…But the most shocking fact aboutThe Orvillefor most people is that it’s an hour long, and fundamentally uninterested in being a comedy. So manyOrvillescenes just die in the moment, because MacFarlane’s comedy instincts as a writer (he wrote the pilot, at the least) means that he can’t avoid writing in jokes. But this show does genuinely want to be a sci-fi adventure, so the comedy is either played completely deadpan, or not played at all. After watching the actual show, its intentions became clear: Seth wanted to cosplay being captain of the U.S.S. Enterprise. And Fox let him do it.”
Chris Barton, The Los Angeles Times
“Best known for the defiantly crude animated showsFamily GuyandAmerican Dad!as well as the tonally similarTed,A Million Ways to Die in the Westand, most divisively, a 2013 stint hosting the Oscars, MacFarlane isn’t an obvious choice for an hourlong, series-length homage toStar Trek, something obviously close to his heart. That inability to balance his rapid-fire comic wheelhouse with the demands of dramatic storytelling keepsThe Orvilleearthbound.”
“But more problematic are tonal shifts that come with filling an hour with the sort of drama that should support an orchestrally scoredStar Trekhomage while also accommodating MacFarlane’s typically skewed, bro-friendly search for laughs.”
“There’s an inescapable feeling that MacFarlane couldn’t decide if his show is a spoof or an homage. It unsuccessfully tries to straddle both lines.”
“The Orvilleis not, as it turns out, theGalaxy Quest-style spoof Fox has been selling in its ads. In fact,The Orvilleisn’t particularly funny at all, both by design and accidental ineptitude. Instead, it’s a bizarrely straight-up homage toStar Trekthat can’t seem to admit as much.”
“The Orvilleis not just aStar Trekripoff — it’s aStar Trekripoff that has no idea what to do with its own sense of humor.”
“There’s no doubt thatThe Orvillewould be better off as a half-hour comedy, if only because it becomes clear halfway through the first episode that MacFarlane has no idea how to fill out a full 40 minutes of broadcast television. Scenes drag on for minutes beyond their natural endings, and by the third episode, different combinations of characters just start having the literal same conversation twice.”
“The Orville’s earnest attempts at social relevancy clash with MacFarlane’s typically glib style”
Ira Madison III, The Daily Beast
“For some reason, the show is being promoted as some type ofStar Trekspoof, but it has no such aspirations. If you find yourself watchingThe Orville, you will be watching mediocreStar Trekfanfiction infused with bad jokes.”
“Because the show is an hour long and not MacFarlane’s usual comedic half-hour format, the jokes land in the middle of scenes and don’t go anywhere. The show isn’t a comedy so the jokes don’t build; they just exist in a vacuum (maybe it’s a metaphor for space). But the show isn’t a proper drama either, because none of the stakes are particularly high.”
“There’s not much that’s particularly optimistic aboutThe Orvilleeither. It relies on hoary stereotypes like the hard-working husband and the nagging wife, placing them in a sci-fi context.”
“The Orvillecan’t be all kinds of shows yet, because it’s uncertain what type of showThe Orvilleis at its core. It’s as amorphous as the sentient green glob who’s slithering through the ship’s corridors and speaking in the voice of Norm Macdonald.”
“The Orvilleis toStar Trek: The Next GenerationwhatFamily Guyis toThe SimpsonsandA Million Ways To Die In The Westwas toBlazing Saddles: Not the genuine article, and not even an incredible simulation, but something with the same look and some of the same feel but with a distinctly different soul. For all its bracing earnestness, the humorous side ofThe Orville一边,停止谈话置评the action, comes across like taking the piss. Solemnity and humor aren’t mutually exclusive properties on a show like this, but it’s a delicate balance.The Orvilleis neither delicate, nor balanced, and it’s creator’s track record suggests it probably won’t ever be.”
(Featured image via screengrab of FOX’sThe Orvillead)
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